Last week, on a very hot Sunday, Atlanta Fusion Bellydance hosted a super cool workshop with Ozgen. I first met him in Toronto during the IBCC. One of the panels he spoke on was about Men in Bellydance and he contributed to the event with some great insight. I appreciated his work and what he provided. So, when Faaridah told me he’d be in town, I knew I had to clear my schedule so I wouldn’t miss him. I’ve been making some improvements to my health. Right now missing physician appointments and being absent from taking great strides at swim meet and activities designed specifically to get me back on track are not an option. However, I rescheduled my swim meet for the 4th of July and told my physician that missing Ozgen wasn’t an option either. His work is a part of my healing and wellbeing. Ozgen did not disappoint.
Ozgen taught Turkish Romany and also Turkish Technique/Choroegraphy. I felt these were important because this was his first time in Atlanta. I understood that some dancers may not be familiar with his work if they don’t travel internationally. Given that, I felt this would be the most comprehensible and give them a foundation that would allow them to enjoy his future workshops. Ozgen did not hold back on the complexity of his work. I attended the second half of the day’s workshops which included the technique course. To the naked eye or non-traveller one might think he taught a complex choreography. But there was more to it than that. There were parts and nuances that I’ve always admired about Turkish dancers. Specifically, when he lifted his arms on a travelling step, his stance and posture was very regional. Every time he went through that part in the choreography I swooned. And there were times when the class would just stop and watch him because he was just so enjoyable to just soak up and appreciate.
I felt guilty because I had come simply to watch him dance. I wanted to remember the moments from IBCC Toronto and just watch a master at work. He really has some clean lines and culturally specific combinations that make him one of a kind. I felt blessed sitting there and at one point he just enjoyed the song as we watched. He danced around and Stewnell and I simultaneously fluttered in our seats in admiration. We looked at each other and said, “Isn’t it beautiful?” simultaneously. We were on cloud 9 the whole workshop. I could have watched him for hours. He said later that this was a more feminine style that he was teaching and that his own personal performances were a little more indicative of a masculine take on the dance. I saw that in Toronto and was impressed as well.
Dinner & Dancing
We went to Café Istanbul in Decatur afterward. Ozgen was very patient as the restaurant opened an hour later than scheduled. They used to open at 1pm on Sundays but today it was 5pm and we were under the impression (and according to online) that they’d be open at 4pm. The waitress came at 4:45pm and graciously let us in a bit early. She was alone and prepared all the drinks, sides and took our orders. She was also able to converse and chat with Ozgen in language and she also spoke Portugues do Brasil so I had a good time chatting with her as well. She was exceptionally kind. The bread was fresh so my little gluten intolerant body was able to eat it without the issues that come from bread mixed with preservatives. I mean, down to the details it was really great and Ozgen danced for us as well. It was an absolutely perfect Sunday.
Room for Improvement? No – Just Want More!
I don’t think there was anything that could be improved for this workshop. The venue was comfortable. The timing was early enough on Sunday that you didn’t get home too late. Ozgen delivered a solid set that everyone could take home. He allowed us to video tape it in the end. I feel that he was generous to give us a dance at the end of the day as that’s usually something stars do for an additional fee. He was animated and fun. I do agree with him that an information or chat session would be good to include in the future where we hear the low down or down low on what is happening from his point of view (or anyone’s point of view). He mentioned how much he enjoyed the panels in Toronto and how important and helpful they were. I agree. Dancers have stories from their travels and culture that we need to hear in order to truly be ensconced and related as we portray their art. I feel if there had been time AFBD would have had that. AFBD is not one to skip the important things.
One thing that works in our community is themes. I feel it would be beneficial if AFBD took this to another level with a full line up of dynamic men. A mini-conference at a great hotel featuring Egyptian Tommy King, European Rashid, North American Nath Keo for Fusion and perhaps a wonderful raqs celeb from South America. I’m always asked to note something that can be changed because surely nothing is perfect but this was as good as it could get so the only thing to do is just keep going by highlighting more men. So, onward and upward! Let’s keep the momentum going!